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supported by 6 fans who also own “bitter. (Feat. TJ Vasquez of WRVTH)”
Like the previous album, the music's atmosphere is thick, hanging in the air like oppressive humidity, electric guitars busily buzzing away, led by tasteful yet pounding drumwork. And, just like the last album, despite having music that could easily be droning nonsense, the band decided to be a cut above almost every other band by actually having beautiful, captivating melodies from end to end. Almost every song is a winner. If you like Air, you'll like this one. Highly recommended.
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supported by 5 fans who also own “bitter. (Feat. TJ Vasquez of WRVTH)”
One of my favorite albums of all time. Hope you guys do a tour in Japan someday!
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supported by 5 fans who also own “bitter. (Feat. TJ Vasquez of WRVTH)”
... about the most technical "progressive music" can get without sacrificing harmony, melody, and soul / feel. Favorite tracks : All of them.
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Broken Archetypes
by Cosmitorium
Knotty prog-death from Cosmitorium combines raw fury with head-spinning instrumentation.
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The Indonesian act Kekal leaves no genre unturned, colliding black metal with industrial music with melodic post-rock on this stunning LP.
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The San Francisco band rachet up the chaos on their second album, combining elements of hardcore, death metal, and grindcore.
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supported by 4 fans who also own “bitter. (Feat. TJ Vasquez of WRVTH)”
An eclectic but incredibly well-integrated blend of traditional death metal, melodeath, black metal, progressive, and even a bit of folk (with the added bonus of audible and tasty bass guitar). The album has a consistent, pulverizing momentum punctuated by the rare acoustic passage or catchy chorus/refrain. Overall an unbelievably mature first offering from an up-and-coming band to watch.
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